எனது நூல்கள் விற்பனையில்

எனது நூல்கள் விற்பனையில்

ஒப்பனைகள் கலைவதற்கே (2014)

உங்கள் எண் என்ன? (2016)

வரதட்சணா  (2018) 

ஏஞ்சலின் மற்றும் சிலர் (2019)

வதுவை(2019)

Kaavya Books
No 16, 2nd Cross Street, 
Kodambakkam, 
Chennai - 600024, 
Trustpuram Opposite Meenakshi College 

To get the books at doorstep please call 

Phone: +91 98404 80232

இரண்டு விரல்கள் (2017)

அட்சயபாத்திரா (2017)

VADHINI 19/29 Rani Anna Nagar,
Near nagathamman Koil, 
K.K.Nagar,
Chennai - 600078

Inexhaustible (2018) 

Those Faulty Journeys (2018)

Met App (2020)

Emerald Publishers

15A, I FLOOR, 

CASA Major Rd, 

Egmore, 

Chennai, 

Tamil Nadu 600008, India

Flipkart : https://www.flipkart.com/inexhaustible/p/itmf563b3avmphy2?pid=9788179664759

Those Faulty Journeys: https://www.amazon.in/Those-faulty-journeys-Ramprasanth/dp/8179665003

Inexhaustible: https://www.amazon.in/INEXHAUSTIBLE-Ramprasath/dp/8179664759/

Met App: https://www.amazon.in/MeT-APP-Novella-Other-Stories-ebook/dp/B08DTZ54TP/

வாவ் சிக்னல்  - விஞ்ஞானச்சிறுகதைகள்(2020)

No 8, Madurai veeran nagar,

Koothapaakkam, Cuddalore,

Tamil Nadu, 607 002.

To get the books at doorstep please call 

Phone: 91-97908 21981

புராதன ஏலியன்கள் - சிறுகதைகள்

220284 - நாவல்

New Book Lands

52-c, Basement, North Usman Road,

TANISHQ, T.Nagar, Chennai - 600017

25.07.2018 ஆனந்த விகடனில் எனது கவிதை

ஆனந்த விகடனில் வெளியான எனது கவிதை 'சூத்திரம்'...

எனது கவிதையை தேர்ந்தெடுத்து வெளியிட்ட ஆனந்த விகடன் ஆசிரியர் குழுவுக்கு எனது நெஞ்சார்ந்த நன்றிகளை தெரிவித்துக்கொள்கிறேன்..

25 ஜூலை 2018 ஆனந்த விகடன் இதழில் எனது கவிதை

25 ஜூலை 2018 தேதியிட்ட இந்த வார ஆனந்த விகடன் இதழில் சொல்வனம் பகுதியில் "சூத்திரம்" என்ற தலைப்பிலான எனது கவிதை வெளியாகியிருக்கிறது. எனது கவிதையை தேர்வு செய்து வெளியிட்ட ஆனந்த விகடன் ஆசிரியர் குழுவுக்கு எனது நெஞ்சார்ந்த நன்றிகளை தெரிவித்துக்கொள்கிறேன்.

நண்பர்கள் யாரேனும் கவிதை வெளியான பக்கத்தை பிரதியெடுத்து அனுப்ப இயலுமா?

11.07.2018 ஆனந்த விகடன் இதழில் எனது கவிதை

11-ஜுலை-2018 தேதியிட்ட இந்த வார ஆனந்த விகடன் இதழில் கவிதைகளுக்கான 'சொல்வனம்' பகுதியில் எனது "பிரியாணிக்குள்ளிருந்து ஃபோர்க்" என்ற தலைப்பிலான கவிதை வெளியாகியிருக்கிறது. என் கவிதைகளுக்கு தொடர்ந்து இடமளித்து ஊக்குவிக்கும் விகடன் ஆசிரியர் குழுவுக்கு எனது நன்றிகளை உரித்தாக்குகிறேன்.

"பிரியாணிக்குள்ளிருந்து ஃபோர்க்" - ஆனந்த விகடன் 11-ஜுலை-2018

11-ஜுலை-2018 தேதியிட்ட இந்த வார ஆனந்த விகடன் இதழில் கவிதைகளுக்கான 'சொல்வனம்' பகுதியில் எனது "பிரியாணிக்குள்ளிருந்து ஃபோர்க்" என்ற தலைப்பிலான கவிதை வெளியாகியிருக்கிறது. என் கவிதைகளுக்கு தொடர்ந்து இடமளித்து ஊக்குவிக்கும் விகடன் ஆசிரியர் குழுவுக்கு எனது நன்றிகளை உரித்தாக்குகிறேன்.

ஆனந்த விகடன் இதழில் கவிதை வெளியான 'சொல்வனம்' பக்கத்தை யாரேனும் பிரதியெடுத்து அனுப்ப இயலுமா?

Twist @ Black Petals Magazine

Twist

 

by Ram Prasath

 

 

Sundar was a familiar name in many of the petty thefts in town.

Things became complicated for him when he tried his luck in the local jewelry shops. The jewelry shop owners secretly appointed two contract killers, Jagan and Kumar, to lift Sundar. A date was fixed.

Sundar was at a tea shop, reading a newspaper in the outskirts of town. Jagan and Kumar waited for him to step away from the tea-shop crowd.

A few moments later, Sundar, after paying for his tea, walked through a one-way lane into the bushes. Jagan and Kumar each retrieved a sharp knife from their trousers.

"Stick that thing in his throat. He can't shout," Kumar said.

"By height and weight, he looks much like you, man. Thick-boned. A hard push should do," Jagan murmured.

Sundar kept walking through the bushes. At some distance, the lane turned a bit. He went out of sight.

Jagan and Kumar approached him. At the turning, in the darkness, a swish of a knife was heard, followed by the chopping of flesh.

"Look at God's extraordinary creativity,” Jagan said. “You and Kumar are so much alike that I can trick everyone into believing you are dead, provided you and I share the gold that you picked." Jagan held the knife, dripping with blood, at Sundar's throat.

Kumar lay on the ground, in a pool of blood.

 

 

Ramprasath is a curious child always wondering about his cosmic placement. When not writing programs for computers, he watches documentaries on Voyager 1 & 2 and Cosmos.

Thanks

@Black Petals Magazine(http://blackpetalsks.tripod.com/yellowmama/id1857.html )

STORY: DOWRY

May 18, 2018 · by Author · in Fiction. ·

By: Ramprasath

Maha alias Mahalakshmi was very determined to not entertain dowry in her marriage.
“Maha, we may have to be flexible when good profiles approach us ma” her father Natarajan tried to convince her.

“Dowry is a sin papa. This thing has screwed so many lives of innocent girls. This practice should be abolished. I am not here to support it at any cost.” Maha said firmly.
Maha had to skip so many profiles to stick back to her disinterest on Dowry. In the end she received two recommendations from the agent. Both were appealing by horoscope and other aspects.

That evening agent Sadhasivam visited Maha and Natarajan at their house.

“Guess we may have to loose both profiles” he said to Natarajan while Maha listened.

“Why? Are they expecting dowry?” Natarajan asked.

“If they asked, turn them down uncle” Maha intervened.

“No Maha. These guys are really good. They say no for dowry ever since I got their profiles.” Sadhasivam said.

“Then what is the problem? They like us and we like them. It is mutual now right?” Natarajan asked.

“Since they demand no dowry, there are many brides showing interest on them. So the competition is too heavy and many of those brides are more beautiful than our Maha” Sadhasivam said.

After a considerable long pause,

“If we offer them fifty sovereigns of gold, can we draw their attention to us?” Natarajan asked while Maha helplessly listened.

Thanks

@Literary Yard Magazine (https://literaryyard.com/2018/05/18/story-dowry/ )

STORY: COPY-PASTE WORK

May 15, 2018 · by Author · in Fiction. ·

By: Ramprasath

Madan stood next to the great Indian actor Irfan Khan and this is not a filmfare award function stage but Madan’s personal computer. Madan adjusted brightness and contrast to balance the colors to make his morphed picture look real.

“Ofho Madan! Don’t you have any other work? Will you keep cutting and pasting photographs all day?” Madan’s mother Fathima shouted.

“This is graphics mom. Mark my words. I will become one like P.C.Sriram someday” Madan politely replied.

A year later,

“Ammee.. come na.. see this” Madan shouted from the hall.

Fathima appeared from the kitchen and saw the TV program.

In a star channel show, on a grand stage, Irfan Khan was handing over Filmfare award for best graphics work to Madan.

Fathima responded quickly.

“Dei, I have so much work to do in kitchen da. I don’t have time to see your cut-copy-paste work”

Thanks

@Literary Yard Magazine(https://literaryyard.com/2018/05/15/story-copy-paste-work/ )

INEXHAUSTIBLE - NOVEL

Rampage - Movie

Rampage - Movie



Definitely science fiction.

An Injected pathogen turns a laboratory rat into a monster which destroys a space station. The last surviving crew member was to return to earth with only the pathogen but due to the aggressive monster, the escape capsule bursts during re-entry which releases the pathogen.

A chimp, a wolf, and an aquatic gill-breathing animal turn into monsters due to the pathogen and how the protagonist bring back peace on the planet is the rest of the film.

Exaggerations apart, the film is threatening. Nature is contained but it has its own equations and balancing points. Though gene editing can be thought as a solution to the growing number of gene-based diseases and genetic disorders, isn't it quite clear that it is definitely not the way to fix things?

When Jurassic Park hit the theatres in 1993, it raised an important question. "Is science the only best way to fix the issues of mankind?". But this film ignores to raise that question. So between 1993 and 2018, 25 years have gone.

Which means, it has taken 25 years for people to realize that Earth has been spoiled beyond recovery. Now there is no turn back. Science is the only way to survive from this dying planet. I believe, this is the message the film intends to convey. There cannot be a news worse than this.